This collection includes theses and professional papers from the University of Montana Department of Theatre and Dance. Theses, dissertations, and professional papers from all University of Montana departments and programs may be searched here.

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Theses/Dissertations from 2015

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A 'PARADOX OF EXPRESSION': BERTOLT BRECHT'S VERFREMDUNGSEFFEKT IN PERFORMANCE, Cohen L. Ambrose Mr.

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Tennessee Williams' "Plastic Theater" A Formulation of Dramaturgy for "The American Method" Theater, Peter A. Philips

Theses/Dissertations from 2014

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WRITING IN DEVISED THEATRE: PRACTICAL APPROACHES WITH COMPARISONS TO INDIVIDUAL PLAYWRITING PROCESSES, Kate Rebecca Morris

Theses/Dissertations from 2012

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THEATER AS A MEDIUM OF HEALING: A CRITICAL ANALYSIS OF COPPER THUNDERBIRD BY MARIE CLEMENTS, Anna Dulba-Barnett

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PRAESENTIA EX MACHINA: The Millennial Technoculture, Liveness and Theatre, Reid J. Reimers

Theses/Dissertations from 2005

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Out under the big blue sky| Creating a new theatrical work by expanding on the documentary theatre form, Laramie Dean Carlsen

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Six sixty-minute mystery plays, Peter David Walther

Theses/Dissertations from 2003

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Past finding out| Learning about theater history through performance, Arika Dumas-Beals

Theses/Dissertations from 2002

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Theatre in Education| Catalyst for change, Yi-Hsin Lu

Theses/Dissertations from 2000

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Building low cost work lights and safety lights for theater, Robert Louis Holter

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Montana Story Tour, the story of Our Town| Developed and sponsored by the Montana Repertory Theatre Company, a professional equity theatre company in residence at the University of Montana-Missoula, Department of Drama/Dance, Michael A. Johnson

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Irony through similarity (and vice versa)| An analysis of Sean O'Casey's "Figuro in the Night", Justin Weat Schluessler

Theses/Dissertations from 1999

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Identifying the Maya through a study of their theatrical practices| A textual and contextual dramaturgy of the Mayan cultural performance heritage, Ann C. Wright

Theses/Dissertations from 1998

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Boal in the classroom: A technique for developing a teen theatre project, Vicki Clark

Theses/Dissertations from 1997

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Future plan for the development of the modern theater in Qatar, Saed Burshaid

Theses/Dissertations from 1994

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Comic potential of "Measure for Measure", Russell John Banham

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Following the yellow brick road: A journey into the land of OM, Susan L. McCormick

Theses/Dissertations from 1992

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Towards a postmodern Macbeth| Directing Shakespeare in contemporary times, Glenn Charles Williams

Theses/Dissertations from 1988

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Creation and development of the collage production DOC F from Faustian materials, John Barnes

Theses/Dissertations from 1986

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Dr. Pit show, "One Night Only" and "The balloonman's chair"| Two one act comedies, James J. Walker

Theses/Dissertations from 1985

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Characteristics of Korean mask-dance drama, Yŏng-gyu Kim

Theses/Dissertations from 1983

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Model book of Bertolt Brecht's "The Caucasian Chalk Circle", Bonnie Banks

Theses/Dissertations from 1982

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Thesis production of Uncle Vanya by Anton Chekhov, Suzanne Allyn Cook

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Pinter's "The Birthday Party"| A director's analysis and production process, Steven A. Schwartz

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Historical review and evaluation of Montana Repertory Theatre 1967-1982, H. Stephen Wing

Theses/Dissertations from 1980

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Women alone: A creative thesis performance project, Toni Cross

Theses/Dissertations from 1979

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Scenic and lighting design of Dunlop and Dale's Scapino, Michael Robert Brooks

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Response-centered methodology for the teaching of dramatic literature in the secondary school, Dolores Snyder Chadwick

Theses/Dissertations from 1978

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Design and technical direction of The Inspector General, Rolf T. Carlson

Theses/Dissertations from 1977

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History and development of the Missoula Children's Theatre, 1971-1977, James Andrew Caron

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Selective naturalism| A director's approach to Tobacco Road, Kenneth Jay Ott

Theses/Dissertations from 1976

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Performance analysis of Shaw's "Heartbreak House", Mary-Kay Harris

Theses/Dissertations from 1975

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That championship season or games anyone?, Gordon V. Hayes

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Country Wife| A design interpretation, Margaret F. Hayes

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That championship season| An actor's study, Randall Keith Pugh

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Acting design in "That Championship Season", Paul William Shapiro

Theses/Dissertations from 1974

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Blocking workbook for the beginning director, John Warren Frick

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Survey of the status of theater in Montana high schools during the 1972-1973 school year, William P. Gillespie

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Stage movement at the Globe, Everett B. Robertson

Theses/Dissertations from 1972

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Directing Luigi Pirandello's Right you are (if you think you are), Thomas Joseph Blair

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Directing Brian Friel's Lovers, Jeanette Edna Chastonay

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Gestalt therapy: Its potential use in acting, Iraj Sami

Theses/Dissertations from 1971

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Non-technical guide to holography and its possible application to theatrical productions, Robert A. Cocetti

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Henry Potter Briggs and infinite pleasure machine, David B. Ferguson

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Prometheus and Pandora and Macedonian rag, two plays, Gerald D. Giss

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Design and technical direction of "The Prime of Miss Jean Brodie", Clayton W. Horan

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Theatre production sourcebook for the drama program in small Montana secondary schools, Margaret Friedl Johnson

Theses/Dissertations from 1970

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A prospectus for USO entertainment, David Wayne Haney

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Design and technical direction of The Dancing Donkey, Joseph David Weiss

Theses/Dissertations from 1969

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Rocky Mountain Theatre Conference| An historical narrative, Bruce Michael Bambach

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Design and choreographic approach to an original modern dance work| "Of stars and men", Dana Jeane Bunnell

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Buttonnose, a children's play, Richard Norquist

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Design and technical direction of Buttonnose, Edward Joseph Thompson

Theses/Dissertations from 1968

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Study of loneliness as found in four of Tennessee Williams' women; Amanda, Blanche, Alma, and Maggie, Kathleen Anne Duggins

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Singing grass, a play, Alan Goddard

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Spontaneity in acting| Guidelines for the use of improvisation, Lester Harvey Hankinson

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Sterility| A study of theme in three plays by Federico Garcia Lorca, Don Lyle Volk

Theses/Dissertations from 1967

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Design and technical direction of The Pied Piper of Hamelin, M. Signe Anderson

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Comparative study of the use of the crowd as presented in the works of the Duke of Sachsen-Meiningen, Konstantin Stanislavsky and Max Reinhardt, John Anthony Mazur

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Design and technical direction of "One way pendulum", Harry M. Trickey

Theses/Dissertations from 1966

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Historical study of eighteenth century European comedy, Joe Edward Ferrell

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Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity, James Joseph Murphy

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Design and technical direction of The Barber of Seville, George W. Terhune

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Design and technical direction of The Adventures of Tom Sawyer, Donald Edward Thomson

Theses/Dissertations from 1965

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Jim Nation (a drama in two acts), Raymon Rene Bruce

Theses/Dissertations from 1963

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Investigation into the dramatic arts programs, theater plants, and production attitudes of Montana high schools for the 1962-1963 school year, Bruce Wallace Cusker

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History of theater in Butte Montana 1890-1910, Roger George DeBourg