Oral Presentations and Performances: Session I
Project Type
Presentation
Faculty Mentor’s Full Name
Clint Walker
Faculty Mentor’s Department
World Languages and Cultures
Abstract / Artist's Statement
One of the most visible, yet seldom intently regarded depictions of Cold War relations between the Western and Soviet blocs, can be found in the exciting world of the spy film sub-genre. Complementing the complex nature of the various cultural experiences and ideologies spanning this era, the spy films of the Cold War contain the potential to provide viewers with a unique access point for exploring popular depictions and commentaries of such narratives. This analytical research project aims to dissect the thematic resonance of espionage as a valuable concept in understanding the transference of cultural and political ideology between East and West, and explore the interplay between depictions of this dichotomy in films on both sides.
Segmented into investigations of selected key points of convergence between films of the two blocs, my findings are a result of critically engaging with a wide selection of spy films and comparing their approaches to engaging in geopolitical and cultural commentary. Due to its flagship status, as well as its unique ability to consistently chronicle the evolution of such narratives across multiple decades, this project places focus on the James Bond film series as a driving point of reference for Western representation. Conversely, special emphasis is also placed on the comedic films of Soviet filmmaker Leonid Gaidai, to supplement analysis of the role of genre in shaping popular interpretations of media. The interplay between this output of films suggests a reverent awareness, and at points, an active dialogue between the filmmakers, revealing a line of transference that exists on a meta level beyond the stories of espionage on screen.
Category
Humanities
The War is Not Enough: Exploring the thematic and geopolitical interplay between Western and Soviet spy films of the Cold War
UC 329
One of the most visible, yet seldom intently regarded depictions of Cold War relations between the Western and Soviet blocs, can be found in the exciting world of the spy film sub-genre. Complementing the complex nature of the various cultural experiences and ideologies spanning this era, the spy films of the Cold War contain the potential to provide viewers with a unique access point for exploring popular depictions and commentaries of such narratives. This analytical research project aims to dissect the thematic resonance of espionage as a valuable concept in understanding the transference of cultural and political ideology between East and West, and explore the interplay between depictions of this dichotomy in films on both sides.
Segmented into investigations of selected key points of convergence between films of the two blocs, my findings are a result of critically engaging with a wide selection of spy films and comparing their approaches to engaging in geopolitical and cultural commentary. Due to its flagship status, as well as its unique ability to consistently chronicle the evolution of such narratives across multiple decades, this project places focus on the James Bond film series as a driving point of reference for Western representation. Conversely, special emphasis is also placed on the comedic films of Soviet filmmaker Leonid Gaidai, to supplement analysis of the role of genre in shaping popular interpretations of media. The interplay between this output of films suggests a reverent awareness, and at points, an active dialogue between the filmmakers, revealing a line of transference that exists on a meta level beyond the stories of espionage on screen.