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Camas

Creator/Author

Table of Contents

Twisted Music / Julia Corbett -- Come or Bleed / Richard Manning -- The Night Shift / Jenner Harsha -- A Seabird in the Forest / Nicholas Littman -- On Working in the Woods / Stephen Thomas -- Rootedness / Laura Farmer -- Almost Bottom / Richard Vargas -- Anatomy of This Economy / M. R. Smith -- Nevada Gold Boom / Barbara M. Smith -- Hands & Fingers / Sean Prentiss -- Driving to Montana, May i8th, 1980 / Jason Hess -- Internal Agricultural Admonitions for Early Spring / Josh Slotnick -- Father of Two / Lucas Brown -- Heaven on the Point System at the Petro Truck Stop / Jeffrey C. Alfier

Date Published

Winter 2012

Volume

21

Number

1

Keywords

environmental writing, environmental art, fiction, nonfiction, poetry, art

Holding Institution

University of Montana--Missoula. Mansfield Library. Archives and Special Collections

Rights Statement

In Copyright

Comments

Archival print copies of this journal were digitized and made available with permission from the Camas editorial staff and faculty advisor, Phil Condon

Item Type

Journal

Digital File Format

application/pdf

Media Type

Text; Image

Local Filename

camas_2012_winter.pdf

Language

eng

Date Digitized

2019

Digitization Information

Images captured using an Atiz BookDrive Pro with dual Canon EOS Rebel T1i at 400 ppi with a custom White Balance, ISO of 200 and no flash was used. Dual Canon lens: EF50mm f/2.5 - Compact Macro. Dual camera control capture software using BookDrive Capture. Camera file format RAW (.CR2). File processed to TIFF at 400 ppi for preservation and PDF at 300 dpi for online access using Adobe Bridge and Photoshop. The PDF files were OCRd with Abbyy FineReader.

Digitization Information

Images captured using an Atiz BookDrive Pro with dual Canon EOS Rebel T1i at 400 ppi with a custom White Balance, ISO of 200 and no flash was used. Dual Canon lens: EF50mm f/2.5 - Compact Macro. Dual camera control capture software using BookDrive Capture. Camera file format RAW (.CR2). File processed to TIFF at 400 ppi for preservation and PDF at 300 dpi for online access using Adobe Bridge and Photoshop. The PDF files were OCRd with Abbyy FineReader.

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