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Camas

Creator/Author

    Table of Contents

    The Very Hungry Caterpillar / Paulina Jenney -- Northern Migration: Seeing to Believe / Stephanie Maltarich -- Abrasion / Darby Williams -- Calling Mother Earth on the Crisis Hotline / Laura Pritchett -- In the Hour Before Dark / James Braun -- Birthmarks / Melissa Martini -- dissociation / Kolbe Riney -- Approaching Denver / Joey Mancinelli -- Representation in Borderlands / Dani Putney -- The Death of a Clown / Amanda Sorrell -- To Whom It May Concern / Angelica Poversky -- Rainfall & Bobbing Poppies / Eli Coyle -- Vanity Selfie / Kateryna Bortsova -- Cormorant / Naomi Stolow -- Just A Drop / Preston Rose -- Liminality / Velibor Baco -- Tenderness / Sarah Platenius -- DIYA / Arinze Ndieli -- The Wave / Marianne Werner -- Dance of Life / Kateryna Bortsova -- Amazon River / Guilherme Bergamini -- When She Asks How Her Mouth Tastes / Despy Boutris -- Untitled / Anthony Afairo Nze -- Welcome / Matt Witt -- Bridging the Years / Greg Turlock

    Date Published

    Winter 2020

    Volume

    29

    Number

    1

    Keywords

    environmental writing, environmental art, fiction, nonfiction, poetry, art

    Holding Institution

    University of Montana--Missoula. Mansfield Library. Archives and Special Collections

    Rights Statement

    In Copyright

    Comments

    Archival print copies of this journal were digitized and made available with permission from the Camas editorial staff and faculty advisor, Phil Condon.

    Item Type

    Journal

    Digital File Format

    application/pdf

    Media Type

    Text; Image

    Local Filename

    camas_2020_winter.pdf

    Language

    eng

    Date Digitized

    2021

    Digitization Information

    Images captured using an Atiz BookDrive Pro with dual Canon EOS Rebel T1i at 400 ppi with a custom White Balance, ISO of 200 and no flash was used. Dual Canon lens: EF50mm f/2.5 - Compact Macro. Dual camera control capture software using BookDrive Capture. Camera file format RAW (.CR2). File processed to TIFF at 400 ppi for preservation and PDF at 300 dpi for online access using Adobe Bridge and Photoshop. The PDF files were OCRd with Abbyy FineReader.

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