Year of Award

2025

Document Type

Thesis

Degree Type

Master of Arts (MA)

Degree Name

English (Literature)

Other Degree Name/Area of Focus

Ecocriticism

Department or School/College

Department of English

Committee Chair

Louise Economides

Committee Co-chair

Katie Kane

Commitee Members

Bob Baker, Paul Guernsey

Keywords

Eros, Sublime, Ecocriticism, Eco melancholia, Decreation, Oryx and Crake

Subject Categories

Adult and Continuing Education | Aesthetics | Applied Ethics | Cognition and Perception | Comparative Literature | Environmental Studies | Ethics and Political Philosophy | Feminist Philosophy | Humane Education | Human Factors Psychology | Literature in English, North America | Modern Literature | Other Feminist, Gender, and Sexuality Studies | Other Philosophy | Reading and Language | Social Justice | Women's Studies

Abstract

This thesis explores connections between the Kantian sublime and Anne Carson’s ideas regarding “eros.” Since Kant’s Critique of Judgement was published in 1790, the Kantian sublime has grown in popularity and been utilized by theorists and creative writers alike. While the Kantian sublime is often associated with nature in popular culture, there are certain egocentric and phallocentric elements of this mode of thinking that might inhibit a biocentric mindset. Through a character study of Oryx from Margaret Atwood’s novel Oryx and Crake, this thesis draws relations between the subjugation of women, nature, and the ways in which the popularized Kantian sublime contributes to and supports dysfunctional hierarchical binaries. Considering the sublime through the lens of Carson’s eros offers intellectual opportunities to alter anthropocentric mindsets in order to reach a more productive ecological consciousness.

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© Copyright 2025 Aineka Carlson