Year of Award
2020
Document Type
Professional Paper
Degree Type
Master of Science (MS)
Degree Name
Environmental Studies
Other Degree Name/Area of Focus
Sustainable Food and Farming
Department or School/College
Environmental Studies Program
Committee Chair
Neva Hassanein
Commitee Members
Phil Condon, Elizabeth Dove
Keywords
intersectional ecofeminism, sustainable agriculture, storytelling, gendered agriculture, food justice, artistic languages
Subject Categories
Environmental Studies
Abstract
There is a disconnect in Western academia, between classroom conversations concerning the impact of environmental degradation on rural communities, and engagement with those communities whom we are discussing. Those working in environmental studies are confronted with the question of how to effectively communicate the concerns addressed by the field in ways which are accessible to, and engage broader audiences. Creative languages such as the visual arts, storytelling, and music are invaluable tools in this task because they offer accessible and culturally relevant means of conveying ideas, perspectives, and experiences. This project examines the ways in which these creative languages contribute to effective communication and knowledge sharing in social environmental movements. Utilizing a critical ecofeminist lens, it also emphasizes women’s role and knowledge as creative makers and food producers, and seeks to amplify their historically marginalized voices. This project shares the experiences of women working in the areas of both agriculture and art, documents and interprets these stories to find connections between the two areas, and uses the connections discovered to expand the languages employed in environmental discourse. It demonstrates that ecofeminist theory, sustainable farming, and artistic practices are integrally linked by their shared ability to support the processes of storytelling, building place and identity, addressing social dynamics, and deconstructing dualisms. Pairing conceptual portraits with written accounts of 10 participants' narratives, this qualitative research study explores how the creative and emotional languages expressed through sustainable agriculture and artistic practices serve as tools in confronting and healing myriad issues across personal, public, and socio-ecological spheres.
Recommended Citation
Pongluelert, Aubrey, "Tending to the Tapestry: An Ecofeminist Interpretation of Women Farmer-Artists' Stories" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11570.
https://scholarworks.umt.edu/etd/11570
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© Copyright 2020 Aubrey Pongluelert