Year of Award

2024

Document Type

Thesis

Degree Type

Master of Fine Arts (MFA)

Degree Name

Creative Writing (Poetry)

Department or School/College

Department of English

Committee Chair

Sean Hill

Committee Co-chair

Brian Blanchfield

Commitee Members

Sean Hill, Brian Blanchfield, Valerie Hedquist

Subject Categories

Poetry

Abstract

Capoferri, Marko, M.F.A., Fall 2023 Creative Writing - Poetry

Light, Loneliness, and Location

Chairperson: Sean Hill

In many better-known works by the 20th century painter Edward Hopper, I find a locus of visual concerns that overlay the fixations of the majority—if not all—of the poems that comprise my thesis, what I like to think of as the three L’s: light, loneliness, and location (to which I could also add, as secondary colors, longing and landscape). Additionally, there are what Mark Strand identifies as “two imperatives” in Hopper’s work, “the one that urges us to continue and the other that compels us to stay” (3). These dueling imperatives, along with the abovementioned attributes of Hopper’s paintings, are very much in conversation with my experience of America as I have come to understand it over the last decade and a half of travel, study, writing, thinking, and living and working in a multitude of places and landscapes around this country.

When I think about and try to process “America” via my identity and life experience, I’m inevitably led to thoughts about empire, whiteness, masculinity, patrilineality, westward expansion, place and placelessness, belonging and alienation, isolation as corollary to the ideal of rugged individualism, how that ideal works with (or more often against) attempts at interpersonal intimacy, an immensity of space that is “[l]arge and without mercy” (Olson 11), and the multiple, ongoing tragedies that have given birth to this country and my ability to navigate its contours, both figurative and literal, while attempting to live a fulfilled and conscious life.

As Carolyn Merchant writes, “[w]e act out our roles in the stories into which we were born” (4). These poems are one small way I have tried to step outside of my own subjectivity, to see the story I was born into from a further vantage, to interrogate the narrative of my life thus far in the context of a larger story, to see how I am helplessly, inextricably linked to the forces that have made me and my place in the world, and to hopefully begin thinking a more complex role for myself as an artist and thinker in this frayed century.

Works Cited

Merchant, Carolyn. Reinventing Eden: The Fate of Nature in Western Culture. Routledge. 2003.

Olson, Charles. Call Me Ishmael. Johns Hopkins University Press. Paperback edition. 1997.

Strand, Mark. Hopper. Ecco. 1994.

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