Year of Award

2024

Document Type

Thesis

Degree Type

Master of Fine Arts (MFA)

Department or School/College

School of Visual and Media Arts

Committee Chair

Julia Galloway

Commitee Members

James Bailey, H. Rafael Chacón, Valerie Hedquist

Keywords

Victorian, Flower, Emotion, Mental Health, Black and White, Memory

Subject Categories

Fine Arts

Abstract

This work questions the societal disconnect between the readiness of human emotion and the restraint with which we discuss it. As the well-to-do ladies of the Victorian era would gather flowers to create tussie-mussies and nosegays to adorn themselves and send messages, the pieces of the MFA thesis exhibition Sweetbriar: I Wound to Heal divulge intense realities through the palatability and presentability of a flower’s beauty. The flowers in this work (as with Victorian Flower Language) act as signifiers for greater emotional concepts. Harebells for grief. Peonies for shame. Gorse for anger. Each flower/emotion in this exhibition is connected directly to a personal narrative. By invoking the personal, this work aims to connect to something universal – the space between what we feel and what we say.

Too often unresolved or unacknowledged emotions and realities lead to mental health crises and acts of violence. By making the private and internal public and external, this work and this paper aim to show the strength and necessity of human vulnerability. Continuing the emotional labor of the exhibition, this paper examines the effects of societal and domestic pressures on identity and encourages open emotional discourse as a way through trauma and uncertainty.

This paper will begin by examining the Victorian Era as it relates to gender-based stigmata and mental health issues. It will then provide contemporary connections to the Victorian Era followed by a broad introduction to the emotional underpinnings and personal narratives present within the work. This paper will then discuss each work in the exhibition individually, defending aesthetic and material choices as they relate to the content.

Included in

Fine Arts Commons

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© Copyright 2024 Megan Foster