Year of Award
2014
Document Type
Thesis
Degree Type
Master of Fine Arts (MFA)
Other Degree Name/Area of Focus
Ceramics
Department or School/College
School of Art
Committee Chair
Trey Hill
Commitee Members
Kevin Bell, Beth Lo, Sara Hayden
Keywords
Sylvia Plath, Women's History, Feminist Art, Feminism, Women's and Gender Studies, Ceramic Sculpture, Fibers
Abstract
Just Leftovers is intended to offer an understanding of the woman’s role within the domestic realm and its evolution over time in American society. My ultimate goal is to create an awareness of women’s inequality historically, but also to expose the inequality, biases, and double standards that continue to exist in our contemporary society. I choose to create this awareness through visual art with the manipulation of recognizable objects that the general public, stereotypically speaking, would associate with femininity and domesticity. I am fascinated by how these “feminine” objects and their historical content [e.g. bread pan] have been socially constructed through rhetoric and material culture. Since these objects have been removed from their original context, I see them as not only symbols of a time period, but also a representation of the women who were striving to express themselves individually, intellectually, and creatively in a society that did not allow them to do so in the public sphere.
Recommended Citation
Tancred, Sarah Elizabeth, "Just Leftovers" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4266.
https://scholarworks.umt.edu/etd/4266
© Copyright 2014 Sarah Elizabeth Tancred